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oppositional poetry, prose, polemic

James Fountain
Work Horses
Sparrows cant, chirrup along the rooftops,
the morning moans, jolted back from night,
forcibly the world's machine moves,
cogs climb into cars, engines groan into action,
as regimented life kickstarts itself,
wheels ignited, pistons firing, all in unison.
In the commotion, tempers flare, housed in unstable
fortresses, where cars career toward their goals
hap-hazardly, as humans hurtle to work,
aiming to avoid lateness, the angry manager,
the morose head of department, afeared
of losing their treasured occupations and incomes.
And happily installed in their batteries finally,
coffee is consumed rapidly to cement wakefulness,
though the irony is that the brown hot liquid
irritates the nerves and causes more tension,
office terrorism and email wars, hatred
for life itself, for the source of this creation.
Trio
As the rain cascades, skidding through
making the sky molten, a seething grey,
the mind awash with thoughts, flooded
in the midst of futurity, three figures
tramp the city streets.
The day's work done, cars glide boat-like
along the rain-soaked road, the fizz of tyres
sounds as the work-stained faces of the masses
pass hurriedly along Oxford Street, umbrellas
like crosiers, leading them forward,
bags strapped over shoulders.
The trio's path leads them through London,
from one rain-soaked alleyway to the next
in search of shelter as the pavement glitters
tantalisingly, like diamonds, fool's gold,
shaking off the gnawing tiredness accumulated.
An hour later, in a shelter, a polystyrene cup of minestrone,
some bread, the stars twinkling overhead,
these three drowse wearily, conversation kept
to a minimum, the moon lurks like a giant eye,
the clouds dispersed, though the damp remains.
James Fountain © 2011
Al Khobar at Night
Mechanical monsters hog the roads,
untamed and mismanaged, amid unfinished
buildings and desert expanses, in fifty
degree heat, among the natural desert lines
and undulations, a new empire is building.
In imitation of the west, these lines of men and women
stand ready with trucks and construction materials,
steel and glass structures, cables and pylons,
as the oil industry's centre this nation senses
potential, an attitude in response to disapproval,
an uprising against discontent at this notion
that Saudi is desert, and thus uninhabitable
man's mission to overcome the impossible vividly evident.
In the warm hair-dryer breeze of evening
I secretly steal internet outside my bosses' apartment,
Islamic prayers are on loudspeaker from the cenotaph,
fill the dark dusty air reverberating with the 'God's will' prophecy,
as the streetlights of the desert
reveal its motionlessness, and in the eerie silence
which follows, the city seems preoccupied
by it's own spirituality, lost in the sense of self
and place in this universe, the unifying
force of religion binding its occupants in.
In the tranquil zone of night, I tread to bed
aware of the silence and stillness of desert
windless and motionless, the sense of emptiness,
a space for the soul, as ambition itself
quietly begins to stir.
James Fountain © 2011