Ash Wednesday Revisited
Because I do not hope to turn
- T.S. Eliot, ‘Ash Wednesday’
i
Come, turn again
to the blessed voice
while twisting
on the vacant stairs.
The bowl is full of ashes
honey sweet for the transitory hour
that strikes as a priest whispers
his first confession on the air
his conscience knee-skinned,
kneeling on hard marble floor.
After mourning God answers
the dry bones with life-
giving wind that blows where
it will in the quiet deserted lots
of the mind, redeemed
at the edge of the garden.
Ash marks the spot on the brow
where God claims his people.
On their face ashen crosses
unveil new creations
before the groaning rocks
who cannot pray
but bend their wills only
to God’s reign, awaiting
his mysterious timing
for the redemption of flesh.
Martin Jack © 2010
ii
All our Lent Wednesdays
spent breathless in the pews
quicken to Easter birth,
the memory of sins shed
like skin in the shadow
of the cross, until finally spent
purged with the fasting
of trinkets for a time
forgetting ourselves in the light,
that swallows our darkness
and spits it out of mind
into the sea.
This is preparation,
smoothing what we thought
was beyond repair
as the blood beckons us
to redeem the dream
of holiness where trees flower
and dress themselves
in a white gown,
where we hope to turn
again to the Word within
and without, leaving the lost
heart at the cemetery gates
as we throw the ash
over our shoulders.
iii
Within, we listen to the Comforter
teaching us to be a cathedral
made of the supernatural fruit
of the vineyard.
Without we sing hymns
that rise upwards
carrying sacrificial music
out of our scattered voices
to the beating chamber
of God’s father heart.
There the Word rests,
whistling amidst the noise of men
praying for those who oppose
until this ash-tinted day
becomes theirs,
and the whole world turns
from adultery to sowing
the seeds of grace;
and smokes the blasphemous
names on its swollen belly
in the Valley of Slaughter ,
glad to be united
with the Eminence
as its prayers for mercy
shake eternal whispers
from the dust.
Martin Jack © 2010
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